Stories from January 12th, 2011

Shooters Inc and DIVE complete the “Puzzle”

A new ad for Sovereign Bank shows the interrelationship of the many pieces of Sovereign’s Better Banking philosophy as a giant wall made of puzzle pieces, as actors squeeze ever more into the wall.  Shot entirely on RED, DIVE and Shooters Inc brought the concept to reality through some clever post VFX work.  One fun scene is when two actor have to squeeze in a piece just a bit too large.

The next creative hurdle came when two actors needed to compress a puzzle piece to make it “fit” into their Better Banking wall. Shooters created an actual flexible puzzle piece, which was then tracked and shot. An additional 3D puzzle layer was also created and Shooters and DIVE artists match moved the virtual piece over the actual physical piece. Lastly, Shooters and DIVE artists created the final fully-3D closing shots of the Sovereign Bank and Banco Santander logos falling into place to complete the puzzle.

Read the full release after the break.

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Stories from January 4th, 2011

Shooters, Inc Launches ShootersNYC with Jeff Beckerman

Former BOND Edit Founder and Creative Director Jeff Beckerman will be joining Shooters to head their new ShootersNYC division.  Housing its own creative staff, they hope to tap into now only their local expertise in their home-base of Philadelphia but the exciting landscape of New York.

‘’We are excited about being in New York,’’ Ray Carballada, Shooters’ President says. ‘’Our unique structure and success in advertising, television development and feature films is proving to be a major asset in working for networks, agencies and brands.”

Get the full details after the break.

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Stories from August 13th, 2009

New Shooters commercial for MASN

SPT-MASN_MilledgeThe Mid-Atlantic Sports Network (MASN), a sports network jointly owned by the Baltimore Orioles and Washington Nationals, approached Shooters Post & Transfer to help them build their latest commercial.  Due to budget constraints, they decided to shoot everything on greenscreen and composite in backgrounds later.  This afforded them not only creative flexibility, but kept everything within the always-shrinking advertising budget.

”The virtual set allowed us to composite the fans into the scene, and because we shot digitally we were also able to take all the camera data and use that to make the scenes perfect in terms of lighting, shadows and perspective,” Mendez said. ”The other advantage was the control we had on these complicated VFX driven spots.  Partnering with Churchman Productions ensured that the client got want they wanted and the budget was not blown because something was shot incorrectly.”

You can see the commercial at the Shooter’s site, and read the full press release after the break.
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Stories from May 11th, 2009

Shooter’s new “Be The Hero” Commercial for Dick’s Sporting Goods

spt-dicks3A new HD commercial done by Shooter’s Post & Transfer for Dick’s Sporting Goods, called “Be The Hero”, is alot more complicated that first appearances.
To create the effect of the two simultaneous moments happening at different speeds, Odiorne shot the hero catcher against a greensceen at faster than normal frame rates – ranging from 40 to 90 fps (frames per second) — thus giving the appearance of him moving slowly compared to the shots of the other players around him that were shot at a traditional 24 fps. In post, the footage of the catcher was rotoscoped out and composited into the shots of the other players, to complete the effect. In addition to the main composites, the spot also highlights four distinct pieces of equipment, which appear in color while players themselves remain in black and white. The effect was created by rotoscoping the equipment, coloring it and compositing it back into the original scene.
See the full press release after the break.  See the actual commercial here.

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