Stories from September 1st, 2010

MAXON Announces of Release 12 of CINEMA4D

Today MAXON has announced the immediate available of the new Release 12 of CINEMA4D and BodyPaint 3D.

“Today’s release marks a significant milestone in the development of MAXON‘s professional 3D software and is a testament to more than two decades of programming excellence,” remarked Harald Schneider, CEO and co-founder of MAXON Computer. “Our development team made every effort to bring customer requested features that are easy to use, stable and powerful. Creative professionals from all industries will find unparalleled solutions to help them meet the challenges of today’s fast-paced production environments and create award-winning content.”

This new version has several new features like a new dynamics engine based on Bullet that adds in a whole new world of physics and soft body systems to allow for deformable and springy systems.  They’ve also added full support for IES lighting systems and and linear workflow, adding several degrees of realism to their scenes.  A new python interpreter is there for scripting, as well as a Turtle system for L-System usage that works great for trees and brush.  Support for  OpenGL3.0 is included as well, if you have appropriate hardware.  They have a great list of the new features on their site.

Perhaps the biggest, and possibly most controversial, change that MAXON has made is in their new product system.  Previously, all of MAXON’s tools were highly modular.  First buy CINEMA4D, then Modyn, maybe Sketch & Toon, and a few other modules and wind up with a working toolsuite.  However, each product was individually licensed and keyed meaning you wound up with a dozen different registration codes to keep track of, as well as individual maintenance and support information.

Upon careful review and speaking with customers, they found that less than 10% of their customers were actually taking advantage of the modular design.  Most people bought some specific collections of packages, and in fact several customers were simply leaving in confusion upon not knowing what to buy. To remedy this, they’ve completely done away with the previous modular design and now offer 5 distinct packages.

  • CINEMA4D Prime – $995 – CINEMA4D, MoGraph, ambient occlusion and MOCCA
  • CINEMA4D Broadcast – $1695 – CINEMA4D Prime + GI Rendering and an extensive material & object library
  • CINEMA4D Visualize – $2295 – CINEMA4D Prime + Advanced Render, Sketch & Toon, & NET Render 3
  • CINEMA4D Studio – $3695 – Everything
  • BodyPaint3D – $995

Now you’ll just buy the bundle, and get a single serial number to license all of the parts.  The end result is hopefully something that’s more friendly to newer users, and makes life easier for the more advanced users.  Plus, now the “baseline” edition comes with the previously-separate MoGraph and MOCCA systems.  If you’re looking for more information, be sure to check out their “Product Comparison” chart which breaks it all down.

It looks like a great new offering from MAXON, but I’m very curious to see how seasoned customers will react to the new bundled distribution packages.  It seems like a very good idea, particularly for newer users, but I suspect some users will be upset by losing direct access to some of the more specific packages.

Sound of in the comments, what do you think?

via MAXON Announces Immediate Availability of Release 12 of Acclaimed 3D Package CINEMA 4D | Business Wire.

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Stories from February 4th, 2010

Use of MAXON Software in Oscar Nominees

MAXON has issued a new press release congratulating the guys behind District 9, Cloudy with a Chance of Meatballs, and 2012 for their Academy Award Nominations, and is not so careful to point out their use of various MAXON software packages.

“We’re thrilled again this year to see our customers recognized at the highest levels for creative excellence in digital filmmaking,” said Paul Babb, president, MAXON USA. “This year’s nominees pushed the boundaries of 3D technology to new heights delighting audiences with both fantastic and realistic effects. We deeply appreciate their reliance on our professional 3D animation toolset to achieve these well-deserved milestones.”

Several studios are mentioned across the various projects, but it really looks like BodyPaint and CINEMA4D are getting a lot of use out of the major studios.  Read the full release after the break.

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Stories from November 12th, 2009

MAXON’s Cinema4D And BodyPaint3D in Recent Films

gijoe_molepod_csA new press release from Maxon reveals that their CINEMA4D and BodyPaint3D products were a big hit in several of this summer’s biggest films.

Newbury Park, CA – November 12, 2009 – Some of this year’s hottest movies, including G.I. Joe: Rise of Cobra, Cloudy with a Chance of Meatballs, Surrogates and District 9, all have one thing in common – they feature spectacular CG animation and visual effects sequences created with MAXON’s CINEMA 4D and BodyPaint 3D, the leading 3D animation software celebrated for its intuitive interface, powerful toolset and positive impact on productivity.

Read the full release after the break, and see some great pictures of their work.

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