Stories from April 8th, 2011

PostProduction Changes explored at AlphaDog’s Pre-NAB Editor’s Lounge

At the recent PreNAB Editor’s Lounge, some experts got together to discuss what’s going on in the field of post-production.  Between discussions of the new Final Cut Pro and the impact of the Japanese quakes on availability of HD-CAM-SR tapes, they got into the popularity of 3D.

3-D was coined the “wild west” and does not appear to be a fad.  Consumers now base their decision on whether to see a movie in 3-D based on story content vs. the 3-D experience. Bigger budgets still remain limited to film, while the broadcast market remains more events driven with the networks looking for a budget conscious business model for creating content. It was stressed that the editorial process for 3-D is quite different than 2-D.  Cutting and pacing is quite distinct along with managing transitions with similar depth cues.  There are things you simply can’t do in 3-D that you can in 2-D. To complicate matters even more, there is currently no QC for the technology. In order for an editor to learn the art of 3-D editing it was suggested by Lucas Wilson (Director of Business Development for 3ality Digital) to search for free 3-D footage to download.

The discussion of Apple was another hot topic, as Apple continues to ignore the popularity of BluRay.  Their reasoning is that the world is moving to a live-streaming and online media space, but it leaves lots of people forced to work in “the current” instead of “the future” without a simple route to BluRay.

Get the cliff-notes after the break, and watch the event via some videos on Vimeo.

PreNAB Editors’ Lounge 2011 Part 1 from Editors' Lounge on Vimeo.

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Stories from October 22nd, 2010

K-Ci And Jojo, Alphadogs, and Dead Pixels in Post

AlphaDogs Post Productions was brought in to complete the new reality show K-Ci and JoJo Come Clean.  It’s a non-scripted 9-episode series for TVOne about the duo’s hard road back to sobriety.  Everything went well, until post-production came along and they realized one of the primary cameras used in the project suffered from a Dead Pixel.

All shots from this camera had to be repaired by finishing editor Sean Stack who used a special filter to seamlessly fill in the dead pixel area. Stack comments; “Being able to overcome production challenges in post makes for a rewarding experience as an editor. We kept the client happy and delivered a perfect master on time to the network”.

The show aires Tuesdays at 9pm EST.  Read the full press release after the break.

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