If you’re interested in the inner working of some of the biggest in Hollywood’s CG studios, then you should check out the inside story of the creation and faltering of Dreamworks, Nicole Laporte’s “The Men Who Would Be Kings”.
The rise and then the crash and burn of DreamWorks, created by three of the biggest egos in Hollywood—Steven Spielberg, Jeffrey Katzenberg, and David Geffen—is a gripping saga of changing economic times. Wary of corporate inroads and catalyzed by Katzenberg’s troubled departure from Disney, the three had independently come to a point where they wanted to run their own show. In 1994, without even a name for their venture, they announced the formation of a company that would break the mold on corporate ownership of entertainment-making, respecting creativity above all else. Spielberg was coddled and cosseted as the ultimate artiste. Katzenberg, who headed the animation division at Disney, was motivated as much by vengeance against CEO Michael Eisner when he set about luring away Disney’s animators. Billionaire Geffen was looked on as the businessman who would bring together disparate parts of the company. What followed was a clash of multiple cultures and visions, within and outside of DreamWorks. LaPorte, a former film industry reporter for Variety, offers a deliciously detailed look at the trials, triumphs, and fumbles of DreamWorks—from the complicated story behind Shrek, a CGI pioneer, to the courting of stars Nicole Kidman and George Clooney and soothing of Russell Crowe. This unauthorized chronicle of DreamWorks will no doubt seal LaPorte’s status as persona non grata in Hollywood, but readers will love it. –Vanessa Bush
This book and many others is available in the VizWorld Store.
