Digital Vision, Key Code Media, and Avid have been kind enough to send to all VizWorld readers an invitation to an upcoming demonstration and reception celebrating the brand new release of Nucoda 2009.1 for Color Grading and Phoenix Restoration platforms.

  • You are invited to an exclusive evening event and presentation of the most efficient and powerful, non destructive, file based post workflow collaboration: the Nucoda Film Master and Avid Media Composer.
  • Digital Vision Product Specialist, Gary Jackemuk and Key Code Media Director of Technology, David Sconyers will demonstrate the integrated workflow between Avid and Digital Vision, including Unity SAN collaboration, AAF, MXF based metadata round-trip and native digital camera format supports.
  • This powerful release, along with the DVO Software enhancement and conversion tools, demonstrate once again why Digital Vision is the industry leader in color grading, mastering, and restoration.
  • Digital Vision, the first company to deploy a functional and efficient end to end workflow with Avid, will also showcase the instant access to media and timeline metadata from Avid Unity Isis and Avid Interplay.

An impressive name of presenters and attendees is already building, but you’ll need to move fast and RSVP if you plan to attend as space is limited.  The event will be March 18th from 6pm – 8pm, at Key Code Media in Burbank, CA.  Full details, including RSVP instructions, after the break.

Digital Vision and Avid Invite You to

Explore the Latest for Powerful Post Workflows: Edit. Grade. Master.

March 10, 2010

NEWS FACTS:

  • You are invited to an exclusive evening event and presentation of the most efficient and powerful, non destructive, file based post workflow collaboration: the Nucoda Film Master and Avid Media Composer.
  • Digital Vision and Key Code Media present an evening demonstration and reception for you to experience first hand the brand new release of Nucoda 2009.1 for Color Grading and Phoenix Restoration platforms.
  • Digital Vision Product Specialist, Gary Jackemuk and Key Code Media Director of Technology, David Sconyers will demonstrate the integrated workflow between Avid and Digital Vision, including Unity SAN collaboration, AAF, MXF based metadata round-trip and native digital camera format supports.
  • This powerful release, along with the DVO Software enhancement and conversion tools, demonstrate once again why Digital Vision is the industry leader in color grading, mastering, and restoration.
  • Digital Vision, the first company to deploy a functional and efficient end to end workflow with Avid, will also showcase the instant access to media and timeline metadata from Avid Unity Isis and Avid Interplay.
  • Join us for complimentary cocktails and appetizers and also meet Keith Roush, Senior Colorist and Founder of Roush Media, who has been working with these innovative end-to-end workflows on a variety of exciting projects at their Burbank post production boutique facility.

Date/Time:

  • Thursday, March 18th
  • 6:00pm – Cocktail Reception
  • 6:30pm-8:00pm – Demonstration

Address:

  • Key Code Media
  • 270 S. Flower St.
  • Burbank, CA 91502

Registration:    [email protected] or contact Ruth Nakada at Key Code Media 818-303-3900. Space is limited.

  • At this event learn:
    • How to create & carry color grading decisions from “on set” to “Digital Dailies” and then ready for Avid Media Composer in native MFX/DNXHD format.
    • New features in Avid Media Composer v4 to help increase productivity and revenue.
    • How to conform the Avid AAF timeline side of Film Master to the high resolution DNxHD, DPX, R3D, RED Files, ARRI files and other formats while viewing the media directly from the Unity.
    • Apply advanced color grading tools to deliver the best possible image for unprecedented development looks.
    • Apply advanced image restoration tools such as grain, de-grain, scratch and dust removal and optical effects.
    • How to manage the difficult task of tracking color grading decisions across complex editorial changes. Lock picture and deliver directly to tape master, file master for film out or back to Avid for mastering.
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