While Pushing Daisies may not be coming back to TV this season, there’s no doubt that the visual effects shots they created will be shown to students for years to come. CreativeCow talks to William Powloski about the process behind some of their more memorable scenes.
While it might seem an extraordinary amount of work to create and manage a physical object on such a scale, “Daisies” has found that it offers a tremendous amount of creative flexibility and time savings. In the first season, everything outside the windows was blue screen. A digital environment had to be created for every angle, every time of day. For a show building VFX until the very last minute, relying on perfect renders in the home stretch was just too risky.
